PRO IRND — FILTERS COLLECTION

Control the Light, Not the Color

PRO IRND feature hyper-neutral carbon vapor deposit coatings which match perfectly to each other. Manufactured in Japan to the highest tolerances. You have other things to worry about on-set. Your filters shouldn’t be one of them. 

ACCU-ND: Industry Leading Technology

Tokina Cinema uses the proprietary ACCU-ND world class electrolytic coating to deposit rare earth metals onto the glass surface to create hyper neutral density filters that have industry-leading virtually zero color shift. They have exceptional IR attenuation across the visible spectrum and well past near IR. The deposit method holds neutrality that is free of color shift over time.

ACCU-ND technology has been used on major feature films, commercials, TV shows, and independent projects that demand the full color spectrum designed by the camera manufacturer without IR light contamination.

Control The Light, Not The Color

DIFFUSION FILTER AND/OR SUPPORTING HEADER HERE

Modern digital cinema cameras create images with precision unlike any other tools in the history of cinematography. The manufacturers of digital cinema cameras build in very specific color science both physically at the sensor site and in the digital conversion process to delivery.

In the quest for accurate color rendition, various amounts of visible and infrared (IR) light near and past the visible spectrum are allowed to pass onto the sensor depending on the manufacturer specifications. This is achieved with an Optical Low Pass Filter (OLPF). Often IR light can be imaged in black level when density is added using filters because the OLPF is tuned only for light entering the lens unfiltered. IRND filters are needed that either cut or suppress the IR light before it hits the sensor to allow for only light in the visible spectrum to pass.

Suppress Infrared Light

IRND filters are needed that either cut or suppress the IR light before it hits the sensor to allow for only light in the visible spectrum to pass.

The chart above shows other brands of IRND passing visible light in a wavy pattern. This is artificially restricting the light and therefore color science the manufacturer intended before it hits the OLPF. IR cut filters also fail to suppress IR light past a set wavelength near the visible spectrum.

The chart also shows the Tokina Cinema PRO IRND suppressing IR light completely in a flat line well beyond the visible spectrum. This allows for the OLPF designed by the manufacturer to pass visible light in the manner intended while surpassing all IR light out to 1200nm which is well past the visible spectrum.

Pro IRND Filters

Hyper-Neutral Performance.

The Difference is Clear

Below are images taken with no filtration, the Tokina Cinema PRO IRND, and a general non-IR block ND. It can be seen that the manufacturer intended color is unaffected when using the PRO IRND and only exposure changes.

External Coating

PRO IRND round filters receive a surface coating of ACCU-ND to ensure lighter weight and maximum image performance. The external coating is more susceptible to coating damage due to environmental factors like filter changes, however the all metal super slim filter ring provides ample protection from direct contact with glass surfaces that is inevitable in square and rectangular sizes.

Camera Lens To Filter Check.

CHECK THE CAMERA LENS TO FILTER.